I saved my pennies, and on Thanksgiving Monday 1991, my Dad drove me and 4 friends around Lake Ontario. The purpose: to stop at Rochester NY’s famed House Of Guitars, picking up a Fender Telecaster. This sole instrument would propel me in my goal of becoming Keith Richards.
The 1991 Fender Telecaster (with current modifications):
I bought this guitar in 1991 for $300. New models are almost twice the price.
I upgraded the pickups twice. The first was to put Heavy Metal-type pickups in, unfortunately due to my tastes of the time. A couple of years ago I replaced them with a Fender Texas Special in the bridge, and a Fender Gold Dual-Lace Sensor in the neck. I also replaced the bridge ($1 on ebay) and the tuning keys. I actually had to cut the pickguard to fit the new bridge, but didn't have a saw. If you look slightly behind the centre of the guitar, you can see the wobbly edge of the white, that I cut with A DRILL. When you don't have the right tool, use a drill. Really, only the body and neck are original. And there’s a really cool Skull pin glued into the body, which I bought at the X-Pensive Winos’ Massey Hall show in 1992.
This guitar was my primary instrument from 1991 on. I used to to smash a padlock (dent on the upper front of the body). When I played with Lovejoy in 2000, I performed with them 9 days after meeting and hearing them for the first time. I played so much learning the set, that my finger split while onstage, smearing blood all down the neck.
It has 18 years of extensive wear, eroding my favourite places on the neck. Like water running through a stream, the fretboard has slight indents where it’s most used. This subconsciously directs fingers to specific notes and patterns.
When I was 15, at the height of my Rolling Stones/ Keith Richards obsession, I saw a poster of him with a 1972 Fender Telecaster Custom. It was the most beautiful guitar I had ever seen, and I swore then that I would own one. It’s a classic model, and highly prized. Given the value and rarity, I decided that I’d accept either a 1972 model (first year produced), a 1974 model (my birth year), or a 1973 (because it’s in-between). A 1975 would be worthless to me.
In late 2008, I suddenly came into an unexpected few thousand dollars. After 19 years, I still hadn’t been able to afford my Holy Grail of Guitars. So I quickly went on Ebay and found a model better than I’d ever expected:
The Bigsby isn’t rare in and of itself. But they were usually added after the purchase. Mine has the Fender ‘F’ logo instead of the Bigsby script. Rarer. And the body wasn’t drilled through for strings, like the after-market installs were. The only part of this guitar not original is the bridge pickup, which someone replaced with a Seymour Duncan model. I plan on buying a Fender ’74 pickup, to put it back to 100%.
This guitar has been played by other people for 35 years. It is road-worn. It has a soul, a presence. The fretboard has been eroded by others’ personal tastes, routing my fingers to new and unexpected phrases. These notes and positions are NOT usually my favourites. This actually caused conflict when I first played the guitar, it felt decidedly uncomfortable. I resolved it by locking my ’91 in the closet for 6 months playing nothing but the ’74. It worked, and the 1974 Telecaster Custom is my (musical) dream-come-true.
I do love the history of my guitar – it suits me perfectly. The Ebay seller gave me the name of it’s previous owner, and I google-searched him. Here’s a pic of my instrument with it’s other lover. This pic is wonderful, and I hope to be able to live up to it’s Dead-Elvis past.
This 1974 Tele Custom had a huge impact on the production of Overture. It’s the only electric guitar on the entire album. I wanted to make the songs sound the way the guitar looks, if that makes sense to anyone else.
Hope you enjoyed this history/guitar-geek ramble.
* do the math, it’s coming up soon!
